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Release Info:
Artist: Sezer Uysal
Single: She is Killing Me Softly
Style: Progressive House
Source: WEB
Record Label: Intricate
Catalog #: INTRICATE015
Release Date: December, 2012
Release Quality: 320 kbps / 44,100 Hz / Full Stereo
Total Size: ** mb
TrackList:
01. Sezer Uysal - She is Killing Me Softly (Original Mix)
02. Sezer Uysal - She is Killing Me Softly (Shingo Nakamura Remix)
03. Sezer Uysal - She is Killing Me Softly (Matan Caspi Remix)
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Release Description:
Intricate Records is proud to present the next single, «She is Killing Me Softly» by Sezer Uysal. It will include the original version of the title track as well as remixes by Matan Caspi and Shingo Nakamura.
Turkey nowadays if famous not only for export of textiles and metals, but also high quality electronic music. One of remarkable suppliers of such «goods» is Sezer Uysal, young producer from the Turkish town of Bursa, owner and mastermind of Dark Pleasure Recordings. His musical works have more than once been in Beatport’s Top 100 Progressive, Tech House and Deep House categories, and since 2012 he is the official remix artist at Ministry of Sound label, thereby his latest productions caught attention of top-level stars such as Armin van Buuren, Laidback Luke, John Digweed, Pete Tong and Hernan Cattaneo.
Sezer Uysal is a frequent guest in Russia – his list of DJ sets in various cities across the country is quite long, now comes his producer debut on the Russian territory – his newest single entitled «She is Killing Me Softly» will see the light of day on the Russian label Intricate Records in December 2012. The original version of the track by Sezer is a piece of pleasant progressive with understandable melody, traditionally long and expressive, deep breakdown, where pure genuine piano sections and branded claps hold the key. The original mix is additionally equipped with two remixes, by the Israeli maestro Matan Caspi and Japanese hero Shingo Nakamura. And while Shingo made the track even more melodic and added extra tranquility along with ampleness, Matan – by the way of contrast – definitely turned it into a very dancefloor-friendly rework.
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